Why and How to Separate Your Big-Picture Thinking From the Proposal Genre

Why You Should Separate Big-Picture Book Thinking from Your Book Proposal

When you’re working on turning your dissertation into a book, it’s essential to have a clear sense of your book’s overall argument and structure. But many authors believe they need to write their book proposal first to gain that big-picture perspective. However, we recommend separating your big-picture book thinking from the actual writing of your […]

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Acquisitions editors versus series editors

Acquisitions Editors vs Series Editors: Who they Are, What they Do, and How that Affects your Book

You know that you will eventually work with an “editor,” on your book’s path to publication. But did you know that, beyond developmental editors or copy editors (people you or the press hire to help revise and perfect the manuscript), you might also work with two very different types of editors at your university press?

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Competing Works Academic Book Proposal

The “Competing Works” Section of an Academic Book Proposal

Of all the parts of an academic book proposal, the “competing works” (sometimes called “competing titles,” “competing books,” “market competition,” or simply “competition”) section is probably the most daunting and least understood by first-time academic book authors.We don’t usually tend to think of our work as “competing” with others, and the idea that we need

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Talk to an acquisitions editor

Should You Talk to an Acquisitions Editor at a Conference? What to Consider.

When I was writing my own book, the whole publishing process felt opaque and high-stakes. I erroneously associated speaking with editors at a conference with formally “pitching” my book. Because I was strongly encouraged to wait to draft and submit book proposals until the full manuscript was (nearly) complete, I also avoided talking with editors,

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What to ask authors at target presses

What to Ask Authors Who’ve Recently Published with Your Target Presses

Prestige aside, from the outside, it might seem like all university presses (and editors) are identical. You write your book, it goes through peer review, you revise it, and eventually it’s published. This broad schema, though, elides small but significant differences between presses’ and editors’ working styles that can significantly impact your book (and, in

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