Want to Include Images or Copyrighted Material in Your Book? What You Need to Know.

Most authors of first books rightly spend their time focusing on preparing and perfecting their prose, assuming that obtaining image permissions will be relatively straightforward. It’s something you don’t need to deal with until the manuscript is finalized, right? Not so fast. Not only could including images in your book cost you more money than […]

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What Does “A Book” Mean for Tenure? Don’t Assume You Know!

Most humanities scholars at research-intensive institutions know that “a book,” published with a university press, is the centerpiece of a successful tenure and promotion research profile. But did you know that different departments–or even different faculty in the same department–can mean very different things when they say “a book”? In the context of (incredibly slow)

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Will a University Press Give you an Advance Contract for Your First Academic Book?

Some of your colleagues might have told you that US-based university presses definitely “don’t offer advance contracts.” But you may have also met (or heard of) someone who received one. How can you know which presses offer advance contracts? In this post, I first outline the critical differences between “advance academic book contracts”–typically offered based

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Balancing Your Voice with Other Scholars in an Academic Book

How to Balance Your Voice With Others’ in Your First Book: Learning Best Practices

William Germano, author of From Dissertation to Book, asserts that books originating out of dissertations struggle to shake “dissertation style.” Beyond stylistic tendencies like passive voice, first book authors, he contends, are rarely able to foreground their voice while engaging with existing scholarship. All too often, their voice gets lost in the shuffle. I knew

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